Wednesday, 28 April 2010

Second Cut

So after the first lot of feedback, we set about making our changes to the production.
With re-shoots, deleting scenes and editing new sequences, we have produced our second cut.
What we still need to do before we finalise our production is:

  • Re-shoot the office scene
  • Create an advanced soundtrack, working on the one we have now to create some more tension.
  • Record the answer machine properly. 

Brief Feedback:
  • "Ending sequence helps it make more sense and looks better" - Emmie Bryett
  • "Good removal of burnt toast, leaves space for more important stuff" - Emma Graveling
  • "Change of the sound track to make it more varied" - Joel Colbourne
  • "Narrative is easier to follow" - Steph Meares
  • "Sound effects with wash in could help signify the dream" - Dave Burrowes 

Monday, 26 April 2010

First Rough Cut

After our first shoots, we edited the footage and put together our first cut.
There are areas in which we still have to film, and others that need to be improved.



We received feedback from our class and from the year 13 class.
However, with our class, we used a boom mike to record the sound unfortunately it wasn't plugged in properly so we cannot hear anything said. But we feel the feedback that was given from the year 13 was good enough for us to improve on.

Here is a video of the feedback given from the year 13's who watched our first cut.






Changes we've decided to make:

  • Delete the toast scene - we felt it was unnecessary, as the idea of foreshadowing was not really seen from the viewers, and we could do with the extra time to keep in the 2 minute limit.
  • Longer wash in effect to the scenes - to increase the idea of a dream
  • New final sequence. Fast takes and quick editing of varied angles of protagonist hanging - this is to create tension and to clearly signify the hanging.
  • Re-shoot the evicted scene, as it takes too long for him to exit and can be replaced by shorter takes and quicker editing.
  • Re-shooting the ending where he sits up in bed, as would be more effective from a straight angle so he sits up to camera, rather from a side view.


Wednesday, 21 April 2010

Title Name

Originally wanting to use Phantasmagoria as the film title, as we felt it had a relevance to the film, and could appeal to an older audience who know what the word means, however there is numerous films that have used this name, and one is coming out later this year, which means we cannot use it.



[IMDB page for films titled Phantasmagoria]


Film sleeve for the 2010 Phantasmagoria















So our second choice was The Snared. As it's meaning is related to the noose, which then signifies a hanging, letting the audience know before that the film contains such scenes. It also is related to being trapped, which links with the state in which the character feels in his mind.
There has been no films with the title The Snared, so there is no worry of copyright issues.
[IMDB page for films titled The Snared]

Tuesday, 20 April 2010

The Hardware & Digital Media {DRAFT}



The key to a successful shoot, is to get to know the equipment before filming. This saves time, and problems, which often take place during the shoot when the cinematographer doesn't know what they are doing.
A few easy areas to consider include:



Manual Focus
Unlike auto focus, in which the camera itself focus' on what it thinks is the main subject, manual focus leaves the decision up to the cinematographer, giving them ultimate control on areas of focus. This is very effective in extreme close-up shots and can be used creatively to shift from one area of the frame to another, switching the focus from something in the foreground to something in the background.


Exposure
Exposure controls the amount of light that is let into the camera. Too much light, and the image will appear washed out, and details will not be seen. Too little light, and the image will appear too dark, and again, details will not be seen. It is important to get the correct exposure for the conditions in which you are filming in.
This technique is useful when filming in daylight, and wanting it to look like dusk, as it is difficult to make filming at night look lighter, so the camera picks up images. In contrast, it can increase the brightness of scenes, such as windows or white rooms, which could be used to give a dreamy effect.

White balance
White balance effects the colour casting of the image, an incorrect white balance can make an image have a blue, orange or green tinge to it. Auto white balance (AWB) will try and read the colour temperature of what you are trying to film, but sometimes may get it incorrect. For certain situations, the camcorder has individual settings for different locations. Such as a daylight setting, or a cloudy setting for filming outside.
White balance can be used to create effects, such as tints, to your filming. These can go against the correct white balance setting, for example, setting a blue tint to create a 'cold' scene which can look more creative.





Program (P) Settings

Portrait, sports, spotlight, night, etc are pre-set setting which may change the way the camcorder films. Sports is used for when filming fast moving subjects, it reduces blur by having the setting at a higher shutter speed, and sets the exposure accordingly. Portrait setting increases a high shutter speed and a opens up the aperture to create a short depth of feild, allowing focus on a close up.







Special Equipment


A Camera Dolly is a piece of equipment which holds the camera, and allows a smooth movement of the camera whilst filming. Mainly used for the tracking shot, the Camera Dolly has wheels which allows it to move as a unit, as well as being on an extendable and moveable beam.













Production Schedule

Props, Mise-en-Scene, SFX, Costume

Scene 1 - The Hanging
Location: Woods - Panorama Woods, Ilkley
Props: Rope, Torches, dog? Car.
Mise-en-Scene: Nothing much - just a wooded area.
Costume: Police outfits?
SFX: Key detail in editing to make it look like the man is hanging, without actually having to hang him.







Scene 2 - Burnt Toast
Location: Kitchen 
Props: Toaster + Burnt Toast. - Could do sequence of making breakfast therefore coverage shots taken of kettle and coffee making
Mise-en-Scene: Kitchen counter. Protagonist is not seen in this scene.
SFX: None. Sequence may need to be sped up if takes too long.


















Scene 3 - Mothers Wake
Props: Photo Album, Bottle of Vodka, Sympathy Card.
Mise-en-Scene: Lounge
Costume: Formal wear.
SFX: None. 






Scene 4 - Fired
Props: Office box, Pens, Mug, Photo Frame.
Mise-en-Scene: Office - Desk, Computer, Big Chair.
Costume: Shirt, worn unsmart with sleeves rolled up and top button undone and untucked - to show his lack in care in appearance now he has been sacked.
SFX: None.


















Scene 5 - Mugged
Props: None that can really be seen. Phone and wallet are handed over.
Mise-en-Scene: Dark alleyway, Streetlighting.
Costume: Hoodies and Trackies. Protagonist in casual wear.
SFX: Editing to make it look like he's been beaten up.


















Scene 6 - Car Stolen
Props: Car
Mise-en-Scene: Quiet street.
Costume: Hoodie
SFX: Sugar glass which breaks easily.




Scene 7 - Evicted
Props: Suitcase
Mise-en-Scene: Stairway of a flat - other flat doors in view.
Costume: Casual, doesn't really care for his appearance.
SFX: None


















Scene 8 - Wake Up
Props: None.
Mise-en-Scene: Bedroom- Bed, Duvet etc.
Costume: Topless - signify he's been asleep.
SFX: None.





Saturday, 3 April 2010

Screenplay

Within our media production, there is no dialogue in the filming, so a script was not necessary, but we created a screenplay for the actions which take place throughout each scene.




Screen Play Snared